Billie Esplen

Brakes review – ‘ticklingly funny and quietly frightening’

A refreshingly home-made and honest depiction of break-ups

Coming full circle: The importance of Queer British Art for young people

Billie Esplen considers the relevance of Tate Britain's Queer Britain exhibition

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Landlords will close ATIK Oxford in June

Oxford academics call for an end to anonymous university...

Oppenheimer premieres in Japan: What took so long?

Was India Bazball’s graveyard or its baptism by fire?

Billie Esplen

Brakes review – ‘ticklingly funny and quietly frightening’

Coming full circle: The importance of Queer British Art for young people

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