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The National Theatre's musical work-in-progress proves to be a charming retelling of the story of Orpheus and Eurydice
One line in Juvenal’s Satire VI finds itself reincarnated in countless modern pop culture references.
The timing of many lines elicits genuine laughter from the audience; in these interesting times we live in, such a take feels intensely necessary.
Katie Knight is impressed by Klaxon Productions' production which incorporates new forms of media.
Katie Knight sees potential in this night of improvised comedy, but is let down by pacing and clunky mistakes
A summary of the 2018 Fringe experience, as we say goodbye to the festival for another year