Home Authors Posts by Molly Flaherty
For Daniel Gonsales, Anderson’s playful films pair loneliness with joy.
The Ocean at the End of the Lane opens with an epigraph from Maurice Sendak, “I remember my own childhood vividly… I knew terrible things. But I knew I mustn’t let adults know I knew. It would scare them.”
Oxford’s continued acceptance of donations by the super rich like Blavatnik is rotten to the core.