STOP, an original student musical at the Edinburgh Fringe, is a powerful engagement with today's mental health crisis, writes James Tibbles
Jacob Greenhouse declares 'Cyrano de Bergarec' a triumph.
El Port enjoys a decadent press night for War Horse but is entertained rather than moved
The Almeida’s adaptation of the hit TV show is baffling and brilliant in equal measure, writes John Livesey
The production is imaginative but the choice of play is inappropriate and bizarre, writes Susannah Goldsbrough
Amber Sidney-Woollett says 'Lady in The Sheets' should leave the laughs at the door and stick to emotional impact
The Bush Theatre’s production of James Fritz’s new play fails to live up to its full potential, writes John Livesey
Harry Hatwell is impressed by the mirror of contemporary reality in an ambitious adaptation at the Keble O'Reilly