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Sunday, January 21st

‘STOP’ at the Fringe review – “it deserves an award for...

STOP, an original student musical at the Edinburgh Fringe, is a powerful engagement with today's mental health crisis, writes James Tibbles

Strong musical talent and an excellent script

Jacob Greenhouse declares 'Cyrano de Bergarec' a triumph.

War Horse – ‘Technically brilliant, but lacks the acting to match’

El Port enjoys a decadent press night for War Horse but is entertained rather than moved

The Twilight Zone – ‘dizzyingly strange’

The Almeida’s adaptation of the hit TV show is baffling and brilliant in equal measure, writes John Livesey

The right production but the wrong play

The production is imaginative but the choice of play is inappropriate and bizarre, writes Susannah Goldsbrough

Lady in the Sheets review – ‘powerful and horrible but comic...

Amber Sidney-Woollett says 'Lady in The Sheets' should leave the laughs at the door and stick to emotional impact

Parliament Square – ‘an assemblage of half-formed thoughts’

The Bush Theatre’s production of James Fritz’s new play fails to live up to its full potential, writes John Livesey

Twelfth Night Review – Shakespeare for the Love Island Generation’

Harry Hatwell is impressed by the mirror of contemporary reality in an ambitious adaptation at the Keble O'Reilly
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