Is The Nightly Show an expensive insult to the British public?

Theo Davies-Lewis takes a look at the critically-panned talk show’s place in ITV’s schedule

Netflix to present Orson Welles’ lost masterpiece

Claire Leibovich discusses Netflix's resurrection of Orson Welles' unfinished final film

“When a film depends on siamese stories in the way this...

John Maier finds Tom Ford's re-released second film 'Nocturnal Animals' stylish but confused

Review: ‘T2 Trainspotting’

Louise Howland finds an addictive energy in sequel to cult classic Trainspotting

Zoom In: How to steal our jobs as Film and TV...

Shivani Ananth and Katie Sayer tell you how to take over their legacy

Moonlight: a transcendent spectacle

Jonnie Barrow delights in Barry Jenkins' mesmeric exploration of identity

89th Academy Awards: Predictions

Oliver Barlow and Jonnie Barrow speculate which films will win big at the Oscars

‘The Lego Batman Movie’: mature and intelligent

Louis McEvoy praises Seth Grahame-Smith’s reinvention of the classic hero

What to watch in the time of Trump

Tilly Nevin praises a new generation of political comedy in a ‘post-truth’ era

‘Jackie’: simply a mishandled film

Surya Bowyer is unstirred by Natalie Portman’s performance as America’s sweetheart

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Why I won’t be protesting Trump

A decade of unknown change is worth protesting more than a two day visit

Review- V&A’s Frida Kahlo: Making Herself Up

An exhibition that tells a personal story of heritage, politics, heartbreak and pain.

Lagerfeld: Too comfy in Chanel?

Chanel couture AW18 achieves a solid 2.1, but shouldn't it be getting a First?