The shifting landscape of television news

Theo Davies-Lewis responds to a new study on how the digital revolution is changing broadcast news

Enchanted by the power of on-screen magic

Serena Arthur explores how our perceptions of magic transform throughout life

Wes Anderson’s films are nostalgic for the present

For Daniel Gonsales, Anderson’s playful films pair loneliness with joy.

Old and new fuse in ‘Twin Peaks: The Return’

Joe Baverstock-Poppy sees the best of David Lynch at work in the show's revival

‘Salazar’s Revenge’ sinks with no survivors

Emily Lawford finds little good in the fifth Pirates of the Caribbean movie

The appeal of dystopian drama

Why have we produced so many stories about the end of the world as we know it?

More Slush than Snow – The Snowman fails to impress

Jonnie Barrow is severely disappointed by the new Scandi thriller

Star Wars: The Last Jedi review – ‘unpredictable plot twists and...

Hannah Patient finds the new 'Star Wars' adventure far more satisfying than the previous instalment in the franchise

Outgrowing the teen trope

In film characterisation today, art mimicking reality is not the desired outcome. Instead, art is used as a catalyst for wider representation, to inspire us to reflect on ourselves, to be better.

Netflix and Cannes

Was the decision to ban Netflix from competing for awards at the Cannes Film Festival justified?

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An entertaining yet terrifying film that will keep you on the edge of your seat

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Everything about Stevens’ work is an attempt to love right, and to believe right

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Brownies, smoothies and good-old chicken nuggets: this is your guide

Journey’s End preview – a play about brotherhood

Bessie Yuill finds an emphasis on WW1's individual soldiers and their relationships in this Remembrance Day production