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“Extremely vulnerable”: Review of The Sun King

It is difficult to imagine the stiflingly intimate space of the Burton Taylor transformed into a wide beach overlooking the expanse of the sea: The Sun King inspires us...

‘Intimate and eye-opening’: Bruegel to Rubens at the Ashmolean- Review

"It was a pleasure to return to Oxford during the vacation to visit the Ashmolean’s new exhibition, which showcases some of the best drawings of the great Flemish artists of the 16th and 17th centuries."

Bust?: Saving the Economy, Democracy and our Sanity by Robert Peston and Kishan Koria- Review

"So long as we have an economic system geared towards the accumulation of wealth rather than the acquisition of it, inequalities will continue to widen"

The Oxford Revue: A Room with Revue

'a simple and clever production which ranks as one of the most enjoyable shows I've seen all year'

All Of Us Strangers Review – A Haunting Exploration of Love in all its Forms

"In All Of Us Strangers, writer-director Andrew Haigh leads us by the hand into a dreamlike, introspective world. "

“A Joy to Watch”: A Review of ‘Window Seat’

The play is a joy to watch. Coleman always provides just enough detail in the dialogue to allow the audience to follow what is happening without making the relationship between the two characters seem overlaboured or mechanistic.

“Bugs Are Cool”: Interview with the Cast and Crew of The Metamorphosis

"Gregor Samsa is a travelling salesman in the cloth trade who has been worked to the bone and suffers under the pressure of his family, who rely on him financially. At the beginning of the play, he wakes up to discover that he has transformed into a repulsive and unhuman creature."

“Dreamlike and Wonderful”: A Review of ‘A Midsummer Night’s Dream’

"All in all, a dream-like and wonderful way to spend the ‘three hours between our after-supper and bedtime’, in the words of Theseus himself."

Retelling the Immigrant Experience: A Review of ‘Xiao’

'Before us is a potted plant, a porcelain tea set, a dinner table, and a couple in embrace.'

Review: ‘A Girl in School Uniform (Walks into a Bar)’

'This is a production that knows what it’s doing.'

“Fast-paced, witty and painfully relatable”: Review of Immaculate

'The Devil, complete with a set of black wings, is sat at the end of the row having a chat with an audience member as we arrive for the opening night of Oliver Lansley’s ‘Immaculate’ '

“Heartwarming, enjoyable, and refreshingly different”: A Review of Sisyphus House

'The charm of the production was in the idea that the titular house had been witness to all sorts of burgeoning relationships throughout its tenure, and this was sweetly conveyed through Nott and Bruton’s writing.'

“A successful exploration of the play’s tension and comedy”: A review of Macbeth.

Andrew Raynes’ production of Macbeth is a successful exploration of the play’s tension and comedy, and the cast and crew should be congratulated on bringing that out. The production succeeds in creating the world of Macbeth, and is blessed with some very talented actors which help bring it to life.

Kesha ‘Gag Order’: A review

'The album is all Kesha, a meticulously crafted and finely tuned testament to her prowess as a songwriter.'

Meeting the President’s Husband: An Interview with Peter Kessler

'Come to Magdalen Monday Movies. You will not regret it. And whatever happens, you're not getting your money back.'

Evil Dead Rise: Brutal, Bloody, Bonkers.

'Spirits are unleashed, souls are possessed, and jumpscares are aplenty.'

Why Oxford’s Fashion Gala was better than the Met’s  

'The line of reporters and photographers asking the same questions to uncomfortable-looking celebrities, who try to recollect why Lagerfeld was in fact their personal hero, makes for tortuous watching.'

Faulkner’s As I Lay Dying: Tracing the Atmospheres of the 1918 Influenza Pandemic

'When the pandemic hit Ontario, William Faulkner was a cadet in the Canadian Royal Air Force. Writing home to his parents, he would bemoan the lengthiness of his base’s lockdown, and the protracted sense of time it engendered.'

Interview: ‘A Night of Queer Music’ at Holywell

Deborah Acheampong (Producer) in conversation with Adrienne Knight (Musical Director), Katie Kirkpatrick, and Eliza Hogermeer (both singers) on Vanguard Productions' upcoming show 'A Night of Queer Music', a dramatic music concert, at the Holywell Music Room, on the 30th and 31st of May.

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