No Market For Old Men review – ‘an hour of fast-paced...

Krysianna Papadakis finds a lot of nuance in Oxford Revue's latest sketch show

Drunk Enough to Say I Love You? Review – ‘genre-crossing and...

Katie Knight is impressed by Klaxon Productions' production which incorporates new forms of media.

Down with my Demons review – ‘tensions rise as secrets spill’

A talented cast bring this immersive and exciting piece of new writing to the stage

Machinal Review – ‘poignant but not perfect’

A play with an imperfect but impactful vision, inspired by a poignant true story of murder and womanhood

The 39 Steps review – ‘It is rare to see an...

Charles Britton is left with a smile on his face after an uncommonly fun night out in Oxford

‘STOP’ at the Fringe review – “it deserves an award for...

STOP, an original student musical at the Edinburgh Fringe, is a powerful engagement with today's mental health crisis, writes James Tibbles

TEDDY Review – ‘Music is a point of connection between then...

Laura Plumley reflects on a musical pursuit of the American Dream

Beautiful Thing review – ‘Ruckus Productions has certainly made some noise’

Franklin Nelson is impressed by this rendition of a thoughtful, timeless coming-of-age drama

Jubilee review – ‘Funny, self-referential, and visually exciting’

Bertie Harrison-Broninski finds this adaptation of Derek Jarman's original film is a show one that he might be proud of

The Squirrel Plays Review – ‘carried off with subtlety and aplomb’

Tenderness and humour emerge from a play that challenges a sobering subject

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