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Culture

Post Diagnosis

"You could tell no one, And it would come anyway."

‘The Godfather: Part II’ at 50

The Godfather: Part II is a film about gangsters. It is also a film...

“Tragic but thought provoking”, ‘An Enemy of the People’: Review

Ibsen has re-entered the drama scene with the current production of his classic play...

Cherwell Introduces: Menu3

Joining me this week, are four members of Menu3: Nicole 2nd year biochemist/lead singer,...

“Extremely vulnerable”: Review of The Sun King

It is difficult to imagine the stiflingly intimate space of the Burton Taylor transformed...

Bon Iver: Blood Bank

We review Bon Iver's latest release.

Antony and the Johnsons: The Crying Light

We review Antony and the Johnsons' second album.

Interview: Emmy the Great

Sweet Valley High, destructive relationships and Emmy the Great's debut album...

Straight to DVD Review: Trailer Park of Terror

Is it a bird? Is it a plane? No, it's a film not even the director bothered to see.

Review: Valkyrie

In cinemas January 23

Review: Milk

In cinemas January 23

Romeo and Juliet at the RSC

Shakespeare's tragedy impressed our reviewer

Auditions

We ask some thesps what acting in Oxford's really like

From Interzone to Atlantis

Miguel Gately considers the distorted legacy of William S. Burroughs

A Christmas Turkey

Following festive gluttony, this French Fancy will just cause indigestion

See Frost/Nixon First and for Free

Once in a lifetime offer of preview tickets to Frost/Nixon

Animal Collective – Merriweather Post Pavilion

We weigh in on the highly acclaimed ninth LP from Maryland's finest

The Theatre By The Brewery Entrance

Two years after a £5.1m restoration programme, Cherwell goes to visit the Theatre Royal, Bury St. Edmunds

The Critic as Artist

A case for the writer as hero

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