Culture
The rise of genre fluidity: Is this the death of genre as we know it?
My favourite genre of music: a question I’ve found becoming increasingly difficult to answer over the years, and it’s only now that I’m discovering why. Whilst we may not...
Memory and Narrative in Miguel Gomes’ Tabu
"Now approaching the 50th anniversary of the Carnation Revolution, I return to Miguel Gomes’ 2012 feature Tabu."
Review: ‘The Achilles Trap: Saddam Hussein, the United States, and the Middle East 1979-2003’ by Steve Coll
Tyrants should only be brought down by their own people; they become martyrs when brought down by foreigners.
Self-Portrait of a Stranger: A Review of Frank Auerbach’s Charcoal Portraits
The Griffin Catalyst Exhibition, The Charcoal Heads, shows the early career of Frank Auerbach...
Jose Parla – Cuban Graffiti
Jacob goddard looks at Jose Parla's debut graffiti show
Los Campesinos!- ‘We Are Beautiful, We Are Doomed’
Alex Wilson reviews Los Campesinos' newest release
Genre Confused; Anticon
Andrew Littlejohn looks at the redeeming features of Anticon
Friday Night-Mare
Robert Holtom celebrates halloween with a scary movie marathon
Keane – Perfect Symmetry
Are Keane as cool as they'd like to be? We find out if their latest album measures up...
The Perlys – Yet Death will seize …
We review an album packed full of quacked-up, left-of-the-beat jiggy-pop.
Review: Wanted
Out now on DVD
Review: Ghost Town
In cinemas October 24
Too Cool for School?
As High School Musical 3 hits cinemas, we put Disney's most lucrative asset on trial
Exhibition Review: This house of books has no windows
Modern Art Oxford
Rushdie was robbed
Why was Rushdie's The Enchantress of Florence left off the Booker Prize shortlist?
Blasphemy: Nineteen Eighty-Four
Each week Cherwell cuts a literary 'classic' down to size. This week: George Orwell's Nineteen Eighty-Four
The World’s A Stage: India
Cherwell experiences dandiya raas
