Culture
The rise of genre fluidity: Is this the death of genre as we know it?
My favourite genre of music: a question I’ve found becoming increasingly difficult to answer over the years, and it’s only now that I’m discovering why. Whilst we may not...
Memory and Narrative in Miguel Gomes’ Tabu
"Now approaching the 50th anniversary of the Carnation Revolution, I return to Miguel Gomes’ 2012 feature Tabu."
Review: ‘The Achilles Trap: Saddam Hussein, the United States, and the Middle East 1979-2003’ by Steve Coll
Tyrants should only be brought down by their own people; they become martyrs when brought down by foreigners.
Self-Portrait of a Stranger: A Review of Frank Auerbach’s Charcoal Portraits
The Griffin Catalyst Exhibition, The Charcoal Heads, shows the early career of Frank Auerbach...
Interview: The Ting Tings
The Manchester popsters talk MySpace and shit weather
Review: Ocean Devil
James MacManus, Harper Perennial
Finals ‘gender gap’ leaves dons in the dark
Men still outperforming women on average
Heads must roll
Once, twice, three times a fuck up.
Aldate extends his sincere thanks to HK. Michelmas' listings brought back happy memories of when OxStu could observe the basic rule of printing the right things on the right pages..
Still, at least you're not Oxide.
Neighbourhood Watch: OU Orchestra
Music-making that few will forget in a hurry
Andy Burrows – The colour of my dreams
If you don’t like this record, you obviously hate children
The Ting Tings – We started nothing
They really haven't started anything, judging by this effort
Interview: Johnny Flynn
Cherwell talks laundry with the folk-pop star
1968 did not take place
Giving the middle finger to the Hayward Gallery's exhibition
Review: Oklahoma!
Moser Theatre, 6th week, Tues - Sat
Theatre Column: The Actor
Playing the role of Moritz in Spring Awakening
First night review: Bald Primadonna
Review by Edwin Black.
Review: The Ossians
Scottish indie rock clamouring for attention.
Review: The Need for Uncertainty
Mircea Cantor
Modern Art Oxford
Until 1 June