Mercury Theatre Productions' venture into theatrical hell is impressive, but the length of the production lets it down
Practically Peter Production give an impressive rendering of Martin McDonagh's dark comedy
Susannah Goldsbrough reviews two Oxford productions at the Edinburgh Fringe that venture into the world of science fiction: 'Doom's Day' (the OUDS National Tour) and 'Lights Over Tesco Car Park.'
More energetic performances were needed to do justice to the subtlety of Alan Ayckbourn’s comedy
Lowenna Ovens finds this student-centric election night depiction to be an 'intriguing concept'
A cohesive aesthetic experience, but a shortened script hampers character development
Ela Portnoy applauds the strongest dance cast she's seen on an Oxford stage
Sam Moore's play about the complexities of relationships finds resonance with audiences of all kinds
"Studio 54" is a predictable story fascinated with the fall of an era of glamour.
John Livesey finds that Stephen Daldry's ambitious play loses its momentum