The Actor’s Nightmare Review – “a high octane sprint through an...

Mercury Theatre Productions' venture into theatrical hell is impressive, but the length of the production lets it down

The Lonesome West review – ‘a pressure-cooker of rage and almost-erupting...

Practically Peter Production give an impressive rendering of Martin McDonagh's dark comedy

Flying saucers and the end of the world: Oxford Fringe sci-fi...

Susannah Goldsbrough reviews two Oxford productions at the Edinburgh Fringe that venture into the world of science fiction: 'Doom's Day' (the OUDS National Tour) and 'Lights Over Tesco Car Park.'

Confusions – Review

More energetic performances were needed to do justice to the subtlety of Alan Ayckbourn’s comedy

Election Review – an ‘interesting and ambitious’ look at politics

Lowenna Ovens finds this student-centric election night depiction to be an 'intriguing concept'

A Doll’s House Review – ‘the pace of the narrative was...

A cohesive aesthetic experience, but a shortened script hampers character development

Sweet Charity review – ‘Oh Mama, welcome to the 60s!’

Ela Portnoy applauds the strongest dance cast she's seen on an Oxford stage

Like A Virgin review – ‘the range of relationship difficulties explored...

Sam Moore's play about the complexities of relationships finds resonance with audiences of all kinds

“Studio 54” is an era’s “Paradise Lost”

"Studio 54" is a predictable story fascinated with the fall of an era of glamour.

The Inheritance review – ‘it is hard to imagine this play...

John Livesey finds that Stephen Daldry's ambitious play loses its momentum

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