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“Extremely vulnerable”: Review of The Sun King

It is difficult to imagine the stiflingly intimate space of the Burton Taylor transformed into a wide beach overlooking the expanse of the sea: The Sun King inspires us...

‘Intimate and eye-opening’: Bruegel to Rubens at the Ashmolean- Review

"It was a pleasure to return to Oxford during the vacation to visit the Ashmolean’s new exhibition, which showcases some of the best drawings of the great Flemish artists of the 16th and 17th centuries."

Bust?: Saving the Economy, Democracy and our Sanity by Robert Peston and Kishan Koria- Review

"So long as we have an economic system geared towards the accumulation of wealth rather than the acquisition of it, inequalities will continue to widen"

The Oxford Revue: A Room with Revue

'a simple and clever production which ranks as one of the most enjoyable shows I've seen all year'

All Of Us Strangers Review – A Haunting Exploration of Love in all its Forms

"In All Of Us Strangers, writer-director Andrew Haigh leads us by the hand into a dreamlike, introspective world. "

Feminist Samurai in Netflix’s new “Anime”?: Ōoku: The Inner Chambers Review

This review contains spoilers and mentions of sexual violence. What would society look like if three-quarters of the male population disappeared? Ōoku: The Inner Chambers...

Feel Good Films — British 1950s Comedies

When I'm shattered after a long essay, or brooding over the state of the world, or merely wanting to enjoy a pleasant few hours,...

MARCO SOLO: Manuscripts and Archives at Oxford University

Although unnoticed by many students and tutors alike, a revolutionary new service by the name of MARCO was unveiled last week, taking the archivist...

Decline and fall: How They Broke Britain by James O’Brien – review

"Today, in the wake of Brexit, Britain is once again broken – so argues commentator James O’Brien in his new book, How They Broke Britain."

Is art a form of political propaganda?

Art has been employed throughout history as a political tool to propagate ideas of power and ideology and challenge them. However, art is a...

Innovating Euripides: Medea Opening Night Review 

The Oxford Greek Play is a bizarre tradition: an undergraduate foray into Greek tragedy which first occurred in 1880 and has continued triennially ever...

The sweet sticky story of you.

Read the latest from The Source!Content warning: addiction That sticky sweet smell lingers in the air, flickering and dissipating again and again, a smoke cloud...

Happiness, My Passenger

Read the latest from The Source on the theme of Mind. I walk through the woods and I realise it once again. I realise that...

Cabernet

Read the latest from The Source on the theme of relationships! He likes red wine. Gets a bottle of it when he goes out to...

Yevonde: The woman who revolutionised colour photography

“Portrait photography without women would be a sorry business.” (Yevonde Middleton, 1921) I walked into the Yevonde: Life and Colour exhibition at the National Portrait...

Fragile Love

Read the latest from The Source on the theme of identities. Content warning: self-harm, homophobia. She was 15 years old,With empty eyes of sorrow and...

“An ambitious testament to Epic theatre”: Angels in America Review

Angels in America: Milennium Approaches is a big show. Indeed, a play with a three-hour runtime and a Pulitzer Prize can really be nothing...

“Surprising, and slightly macabre”: Sampi at the Burton Taylor

A play about friendship, breakdowns, a chicken sandwich, existential questioning and a nosebleed, Sampi at the Burton Taylor Studio is a piece of new...

Angels in America Interview: “Incredibly Challenging”

Kiaya Phillips in conversation with Andrew Raynes (director) and Will Shackleton (who plays Louis) of Happier Year Productions' version of Tony Kushner's award-winning play,...

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