Post Malone Review – ‘Sticking to the Script’

Little has changed in the rapper/singer's latest album

The Oxford Revue: ‘Wasted’, and ‘Group Work’ Reviews – “More time...

The audience is left wanting more from the writing at The Oxford Revue's two Fringe shows.

RSC Macbeth Review: ‘technical wizardry fails to bring any tension or...

Dodgy directoral decisions and acting leaves one foreseeing a dark future for this unconvincing RSC production

The Polycephaly Monologues Review – ‘seamlessly combines the surreal with the...

Tom Mackie is left amazed, but confused, by Nick Smart's juicy, absurdist work

The Writer review – ‘jumping out at you in wild, exciting,...

Hickson tries one formal experiment after another and each time brings a different gender-dynamic under her lens

Review: Brave New World

Cesca Echlin is unsettled by Four Seven Two's evocation of Huxley's World State

Young Marx review – ‘Fiercely comical, ingeniously designed’

Harry Hatwell reviews the triumphant 'Young Marx', the first production at London’s new Bridge Theatre

Fiddler On The Roof Review – ‘thoughtful and timely’

Izzy Troth sits on the roof, not on the fence, about the Oxford Playhouse's latest show

‘Black Men Walking’ – Review

An exuberant meditation on nature, belonging, and blackness

Twelfth Night Review – Shakespeare for the Love Island Generation’

Harry Hatwell is impressed by the mirror of contemporary reality in an ambitious adaptation at the Keble O'Reilly

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