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Krysianna Papadakis finds a lot of nuance in Oxford Revue's latest sketch show

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Hickson tries one formal experiment after another and each time brings a different gender-dynamic under her lens

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Ela Portnoy is impressed by this elegant adaptation of the Lorca masterpiece

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Is OCTOPUS, like the Sex Pistols are now, “just” uncontroversial protest? Or does it strike deeper than that?

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Roddy Howland Jackson is charmed by a dynamic, absurdist comedy of historic proportions

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Efforts to combine the theatrical and the digital are shaping how we experience Shakespeare in the twenty-first century

Clean Break – Theatre and the Criminal Justice System

Cesca Echlin talks to Clean Break, the theatre charity offering female offenders a means of expression

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An exuberant meditation on nature, belonging, and blackness

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Katie Sayer's anticipation of Oriel Classics Society's interpretation of a bizarre Greek comedy turns out to be a tragedy

Death By Murder Review – ‘an endearingly ambitious bunch of clowns’

Oxford's newest improvised comedy troupe impress in their debut show at the Pilch

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