Review: ‘Edward II’

Susannah Goldsbrough is captivated by Oxford's finest acting talents and their leather leggings

“Exploring what it means to be an intelligent modern woman”

Sîan Bayley finds much to praise in 'Girls Will Be Girls' at the BT Studio

Twelfth Night Review – Shakespeare for the Love Island Generation’

Harry Hatwell is impressed by the mirror of contemporary reality in an ambitious adaptation at the Keble O'Reilly

“Young, classy and capable of mischief”

Jacob Greenhouse is impressed by the freshness of Consortium Novum’s production of The Marriage of Figaro

‘Bacchae’ review – A focus on gender that isn’t reflected in...

Louis Morris finds this year’s Oxford Greek Play, Euripides’ Bacchae, aims high but fails to impress.

Preview: Suddenly Last Summer

Jorge Lopez Llorente is transfixed by a dynamic production of a Tennessee Williams' hidden gem

In conversation with the creators of ‘STOP’

Suzy Cripps talks mental illness and magic with the writers of a new musical

Lady in the Sheets review – ‘powerful and horrible but comic...

Amber Sidney-Woollett says 'Lady in The Sheets' should leave the laughs at the door and stick to emotional impact

Romeo and Juliet – Preview

A close cast and crew underline the generational aspects of Shakespeare's tale of conflict, all in a female offenders unit

“Even while expecting an hour of postmodernist drama, I couldn’t have...

Katie Sayer recovers from the gripping and disturbing 'Marat/Sade' at the Keble O'Reilly

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