The Lieutenant of Inishmore Review – ‘Brooding, self-deluding, and very mad...

Michael Grandage's use of dark humour and relentless gore to explore Ireland's complex history of sectarian conflict.

“The play-text should never have been selected for performance”

Will Austin finds 'Five Women Wearing the Same Dress' to be outdated and hackneyed at the Michael Pilch Studio

“Exploring what it means to be an intelligent modern woman”

Sîan Bayley finds much to praise in 'Girls Will Be Girls' at the BT Studio

Review: ‘Edward II’

Susannah Goldsbrough is captivated by Oxford's finest acting talents and their leather leggings

Twelfth Night Review – Shakespeare for the Love Island Generation’

Harry Hatwell is impressed by the mirror of contemporary reality in an ambitious adaptation at the Keble O'Reilly

‘Bacchae’ review – A focus on gender that isn’t reflected in...

Louis Morris finds this year’s Oxford Greek Play, Euripides’ Bacchae, aims high but fails to impress.

In conversation with the creators of ‘STOP’

Suzy Cripps talks mental illness and magic with the writers of a new musical

Preview: Suddenly Last Summer

Jorge Lopez Llorente is transfixed by a dynamic production of a Tennessee Williams' hidden gem

“Young, classy and capable of mischief”

Jacob Greenhouse is impressed by the freshness of Consortium Novum’s production of The Marriage of Figaro

Lady in the Sheets review – ‘powerful and horrible but comic...

Amber Sidney-Woollett says 'Lady in The Sheets' should leave the laughs at the door and stick to emotional impact

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