The Corridor review – ‘a serious spectacle of operatic drama’

Isaac Pockney is spellbound by an opera that puts a fresh twist on a classic tale

Hanna Review – ‘strikingly honest’

Meg Harris is touched by a mother's monologue at the North Wall Centre

Hedda review – ‘stubbornly disturbing and nuanced’

The most anticipated-show of Hilary term lands with both style and substance

The Ferryman Review – ‘bursting with intergenerational energy and tragic potency’

Jez Butterworth and Sam Mendes' present a tale of a family riven by personal loss and political upheaval

#Ending the Silence review – ‘there is nothing quite like it’

Joel Stanley reccomends a captivating performance and an unmissable experience

Medea Review – ‘vengeful, manipulative, and captivating’

More than just a play: 'Medea' reminds us why we go to the theatre

Review – The House of Bernarda Alba

Ela Portnoy is impressed by this elegant adaptation of the Lorca masterpiece

Dining Al Desko review – ‘pure tragicomedy’

Alastair Curtis' intertwined monologues tease out the humour and poignancy of office life

Crave Review – ‘moments of tenderness crushed by memories of trauma’

Sarah Kane's emotive text is embodied with both beauty and horror at the Edinburgh Fringe.

For Colored Girls Review – “An intimacy that focuses...

A powerful performance of Shange's work that presents personal stories of love, loss, hope, and renewal

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