Mark Ravenhill's exploration of the nature of bisexuality in this coming-of-age drama is continually relevant
The complexity of Sam Norman and Aaron King’s new musical, which focuses on the inner-workings of an abusive relationship is astounding
A visit to the Oxfordshire charity 'Clean Slate' with the cast of new musical 'Nice Guy'
This new production of Caryl Churchill's play may be a portrait of a specific time, but is still intensely relevant.
Katie Knight sees potential in this night of improvised comedy, but is let down by pacing and clunky mistakes
Faye Heron reviews this term's Playhouse show which she finds serves to bring up important social issues whilst simultaneously being vigorously entertaining
The Oxford Revue's desires to experiment creates some hilarious moments, but perhaps lacks through-line to bring the show together
This term's Playhouse show paints a heightened portrait of the inner-city's criminal underworld.
Cesca Echlin meets this year's OUDS President to discuss post-Medea hype, the need for increased representation in theatre, and what she wants to change about Oxford student drama.
A story of Nigerian brotherhood frames personal and national tragedy