Crave Review – ‘moments of tenderness crushed by memories of trauma’

Sarah Kane's emotive text is embodied with both beauty and horror at the Edinburgh Fringe.

For Colored Girls Review – “An intimacy that focuses...

A powerful performance of Shange's work that presents personal stories of love, loss, hope, and renewal

Butt Kapinski Review – ‘a masterclass in light-hearted entertainment and audience...

Charles Britton is both amazed and horrified by Deanna Fleysher's oddball creation

The Mountaintop Review – ‘explores the man behind the pulpit’

Katori Hall’s depiction of the Civil Rights icon Martin Luther King in his last hours is bewitching.

The C Bomb Review – ‘A comic break from the madding...

Ela Portnoy finds the OUDS New Writing Festival winner a source of comic relief at this year's Edinburgh Fringe.

Julius Caesar review – ‘two hours of pounding drama’

Nicholas Hytner's adaptation is makes you rethink the iconic tragedy

Strong musical talent and an excellent script

Jacob Greenhouse declares 'Cyrano de Bergarec' a triumph.

The Flick review – ‘a little theatrical masterpiece’

Flick is an exceptional production that brings a thin script to vivid life

The C-Bomb review – ‘the perfect antidote for those mid-term blues’

Delphine Chalmers is charmed by this self-assured, intelligent, and funny piece of student writing

Walk Like Natives review – ‘A flash-mob blending into the crowd’

A secret piece of theatre, taking place in central London, is a pure celebration of joy.

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Salome Review – ‘struggles to take audience into another world’

Tea Party Productions' 'Salome' shows the play's continuing power to unsettle