“Emotive, vibrant, and politically charged”: Hamilton

Izzy Smith praises Lin-Manuel Miranda’s powerful soundtrack

Our Ladies of Perpetual Succour review – ‘Fizzing with energy and...

'Our Ladies of Perpetual Succour' impresses Izzy Smith with its audacity and heart

Confessions of a Drama Queen: A Change of Career

Under-appreciated in her own time not only as an actress but also as a reviewer, our melodramatic fresher is driven to desperation, even considering writing for Cherwell.

Anything but a simple fairy-tale

Ebere Nweze is impressed by this unnerving and sharp new adaptation of Wilde’s short story

Talaash interview – a fusion of dance, poetry, and identity

A discussion of the cultural significance and community spirit of Talaash

A Review of Reviewing: of Source-Texts and Slighting

Charles Britton ponders the relationship between a borrowed script and an adapted performance in theatre criticism

The Oxford Revue: Best of the Fringe Review – ‘these are...

The Oxford Revue's desires to experiment creates some hilarious moments, but perhaps lacks through-line to bring the show together

‘Half Breed’ at the Fringe Review: ‘Beautifully articulated’

Izzy Smith is overwhelmed by Natasha Marshall's play about race, friendship and finding a voice

The Writer review – ‘jumping out at you in wild, exciting,...

Hickson tries one formal experiment after another and each time brings a different gender-dynamic under her lens

‘Road’ review – ‘A formidable fusion of poetry, movement and humour’

Lucy Miles finds bleak topicality in Jim Cartwright's 'Road', recently revived at London's Royal Court

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