An odd mix of Sophocles, Stoppard and Wilde

Katie Sayer gives four stars to Simon Callow's revival of a 1970s classic

A day in the life of… an assistant director

Rebekah King describes her role assistant directing Brontë, Polly Teale’s successful 2005 period drama

“An aspirational first performance”

Jacob Greenhouse is impressed by 'Blatavsky's Tower', the first production from newly founded company

“A little-known gem”

Thomas Player gives four stars to 'Dear Brutus', an underrated classic

“Sharp humour with profound philosophical underpinnings”

Giovanni Musella looks ahead at a new production of Blavatsky's Tower

“Elegant, witty, sophisticated, remarkable”: The ‘Philanthropist’

Katie Sayer and Emily Lawford meet the all-star cast of Simon Callow's production of 'The Philanthropist'

“Injections of humour amidst the Beckettian existential angst”

Emily Lawford is impressed by Leveaux’s revival of Tom Stoppard's meta-theatrical tragicomedy Rosencrantz and Guildenstern Are Dead

“Love and humanity scattered amid the horror”

Emily Lawford enjoys a genuinely frightening production of Macbeth

A word from the stalls

Miriam Nemmaoui speaks to a tipsy audience member at Suzy Cripps’ 'The Optimists'

“Even while expecting an hour of postmodernist drama, I couldn’t have...

Katie Sayer recovers from the gripping and disturbing 'Marat/Sade' at the Keble O'Reilly

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Frantz: a wrenching tale of remembrance

The French-German film Frantz, however, has gone unnoticed by many English-speaking viewers, despite being one of the most powerful films released to explore the after-effects of World War I.
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Nuffield students defend Noah Carl after “racist pseudoscience” petition

Three Nuffield PhD students have signed a letter defending the former Nuffield fellow Noah Carl, after he was denounced in a petition signed by...