Travesties review – ‘a very competent production of a fiendishly complicated...

Roddy Howland Jackson is charmed by a dynamic, absurdist comedy of historic proportions

How do we stage Shakespeare in the digital age?

Efforts to combine the theatrical and the digital are shaping how we experience Shakespeare in the twenty-first century

Clean Break – Theatre and the Criminal Justice System

Cesca Echlin talks to Clean Break, the theatre charity offering female offenders a means of expression

‘Black Men Walking’ – Review

An exuberant meditation on nature, belonging, and blackness

Lysistrata Review – ‘some over-directing vitiates a few performances’

Katie Sayer's anticipation of Oriel Classics Society's interpretation of a bizarre Greek comedy turns out to be a tragedy

Death By Murder Review – ‘an endearingly ambitious bunch of clowns’

Oxford's newest improvised comedy troupe impress in their debut show at the Pilch

Travesties Preview – ‘I have never felt so threatened by a...

Isabella Welch sees a lot of promise in a dynamic adaptation of Tom Stoppard's hidden gem

An interview with Bea Udale-Smith

We chat to Bea-Udale Smith ahead of her upcoming production of 'Travesties' on how to get involved with directing at Oxford

The Inheritance review – ‘it is hard to imagine this play...

John Livesey finds that Stephen Daldry's ambitious play loses its momentum

Upcoming Trinity Theatre – a guide

Cherwell Theatre takes a look at the most exciting shows for the term ahead

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Western coverage of India's overturning of Section 377 was at best uninformed and at worst insulting

The Art of Small Talk

At the beginning of October a hormonal mass of teens, infused with adrenalin and trepidation, will descend on Oxford for a week of clumsy...

The ‘Brideshead Revisited’ reputation haunting Oxford

Is there any truth in the fictional portrayals of the University?

Oxford grad launches new access initiative

The new organisation aims to connect disadvantaged students with Oxbridge mentors

Which TV show has the best intro music?

You shouldn't judge a book by its cover, but what about a show by its intro?