The Oxford Revue: The Best of the Fringe review – it...

Chloe Taylor finds much to praise in the Oxford Revue's latest performance

Dining al Desko review – ‘gently depressing but hilarious’

The subtle destruction of office careers, told via its character's monologue is amusing and meaningful.

Lysistrata Review – ‘some over-directing vitiates a few performances’

Katie Sayer's anticipation of Oriel Classics Society's interpretation of a bizarre Greek comedy turns out to be a tragedy

Five minutes with Philippa Lawford, director of Tightrope Productions

We chat to Philippa Lawford, the director of Tightrope Productions, about her experiences with drama at Oxford, her involvement in the Edinburgh Festival Fringe, and her inspirations in the world of theatre.

Best of Hilary Theatre

Cherwell contributors reflect upon the best student theatre of Hilary Term.

Travesties review – ‘a very competent production of a fiendishly complicated...

Roddy Howland Jackson is charmed by a dynamic, absurdist comedy of historic proportions

Medea – Preview

A production that promises a masterful portrayal of the struggles of integration, womanhood and belonging

Dido, Queen of Carthage at the RSC review – ‘Daring, poignant...

The RSC's new production of the lesser-performed 'Dido, Queen of Carthage' is a phenomenal achievement, writes Katie Sayer

‘Caesar’ at the Keble O’Reilly – preview

Miranda K. Gleaves previews 'Caesar', a hot new reinterpretation of a classic Shakespeare play from Cosmic Arts

The Comedy About a Bank Robbery review – ‘half the audience...

Katie Sayer finds 'The Comedy About a Bank Robbery' to be a perfectly cathartic comic concoction

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