Sarah Kane's emotive text is embodied with both beauty and horror at the Edinburgh Fringe.
A play with an imperfect but impactful vision, inspired by a poignant true story of murder and womanhood
Tenderness and humour emerge from a play that challenges a sobering subject
Tightrope Productions' devised piece proves particularly heartfelt at the Edinburgh Fringe.
The audience is left wanting more from the writing at The Oxford Revue's two Fringe shows.
Susannah Goldsbrough reviews two Oxford productions at the Edinburgh Fringe that venture into the world of science fiction: 'Doom's Day' (the OUDS National Tour) and 'Lights Over Tesco Car Park.'
Horseplay Productions' politically-charged sketch comedy hits comedic targets despite an ambiguous through-line.
An unusually long play for the Edinburgh Fringe sacrifices some clarity in plot to explore the dynamics between complicated women
Ela Portnoy finds the OUDS New Writing Festival winner a source of comic relief at this year's Edinburgh Fringe.
Michael Grandage's use of dark humour and relentless gore to explore Ireland's complex history of sectarian conflict.