The right production but the wrong play

The production is imaginative but the choice of play is inappropriate and bizarre, writes Susannah Goldsbrough

Lysistrata Review – ‘some over-directing vitiates a few performances’

Katie Sayer's anticipation of Oriel Classics Society's interpretation of a bizarre Greek comedy turns out to be a tragedy

Lady in the Sheets review – ‘powerful and horrible but comic...

Amber Sidney-Woollett says 'Lady in The Sheets' should leave the laughs at the door and stick to emotional impact

Beginning review – ‘comfortable, emotionally-streamlined and ideologically safe’

John Livesey is left cold by a conservative if accomplished transfer

A Doll’s House Review – ‘the pace of the narrative was...

A cohesive aesthetic experience, but a shortened script hampers character development

13 Review – ‘effectively and enjoyably portrays Bartlett’s broken Britain’

Bertie Harrison-Broninski is impressed by the ambition and scope of this drama of political intrigue and belief

Parliament Square – ‘an assemblage of half-formed thoughts’

The Bush Theatre’s production of James Fritz’s new play fails to live up to its full potential, writes John Livesey

RSC Macbeth Review: ‘technical wizardry fails to bring any tension or...

Dodgy directoral decisions and acting leaves one foreseeing a dark future for this unconvincing RSC production

The Oxford Revue: ‘Wasted’, and ‘Group Work’ Reviews – “More time...

The audience is left wanting more from the writing at The Oxford Revue's two Fringe shows.

The Polycephaly Monologues Review – ‘seamlessly combines the surreal with the...

Tom Mackie is left amazed, but confused, by Nick Smart's juicy, absurdist work

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