War Horse – ‘Technically brilliant, but lacks the acting to match’

El Port enjoys a decadent press night for War Horse but is entertained rather than moved

The Actor’s Nightmare Review – “a high octane sprint through an...

Mercury Theatre Productions' venture into theatrical hell is impressive, but the length of the production lets it down

Like A Virgin review – ‘the range of relationship difficulties explored...

Sam Moore's play about the complexities of relationships finds resonance with audiences of all kinds

The Inheritance review – ‘it is hard to imagine this play...

John Livesey finds that Stephen Daldry's ambitious play loses its momentum

Sweet Charity review – ‘Oh Mama, welcome to the 60s!’

Ela Portnoy applauds the strongest dance cast she's seen on an Oxford stage

‘Family Friends’ Review: ‘a definite sparkle’

Katie Knight sees potential in this night of improvised comedy, but is let down by pacing and clunky mistakes

Review – A Midsummer Night’s Dream

The humour, wit and emotional depth contained within the text are lost to the physicality and slapstick

Five Women Wearing the Same Dress Review – ‘an unusual choice...

An unusually long play for the Edinburgh Fringe sacrifices some clarity in plot to explore the dynamics between complicated women

Death By Murder Review – ‘an endearingly ambitious bunch of clowns’

Oxford's newest improvised comedy troupe impress in their debut show at the Pilch

Top Girls Review – ‘uncomfortably straddles the experimental and the domestic’

"Adam Radford-Diaper’s adaptation is slick and well-acted, often wonderfully absurd and funny, but ultimately leaves me feeling slightly cold."

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