"Adam Radford-Diaper’s adaptation is slick and well-acted, often wonderfully absurd and funny, but ultimately leaves me feeling slightly cold."
The production is imaginative but the choice of play is inappropriate and bizarre, writes Susannah Goldsbrough
Katie Sayer's anticipation of Oriel Classics Society's interpretation of a bizarre Greek comedy turns out to be a tragedy
Lowenna Ovens finds this student-centric election night depiction to be an 'intriguing concept'
Amber Sidney-Woollett says 'Lady in The Sheets' should leave the laughs at the door and stick to emotional impact
John Livesey is left cold by a conservative if accomplished transfer
A cohesive aesthetic experience, but a shortened script hampers character development
Bertie Harrison-Broninski is impressed by the ambition and scope of this drama of political intrigue and belief
The Bush Theatre’s production of James Fritz’s new play fails to live up to its full potential, writes John Livesey
Dodgy directoral decisions and acting leaves one foreseeing a dark future for this unconvincing RSC production