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Theatre

“Extremely vulnerable”: Review of The Sun King

It is difficult to imagine the stiflingly intimate space of the Burton Taylor transformed into a wide beach overlooking the expanse of the sea: The Sun King inspires us...

The Oxford Revue: A Room with Revue

'a simple and clever production which ranks as one of the most enjoyable shows I've seen all year'

Dynamic, Chaotic and Physical: Review of Frantic Assembly’s Metamorphosis

"Frantic Assembly takes on a new challenge, taking a decades old Kafka novel, The Metamorphosis, and putting it to the stage in their signature physical theatre style."

Mature and Intelligent: Julius Caesar at the TS Eliot Review

"From start to finish, it was a show filled with excellent performances from leading cast members."

‘Frost/Nixon’ by St John’s Drama Society – Review 

"Rohan Joshi is a star turn as President Nixon. His wounded gait, booming American accent, and measured pace of delivery kept the audience rapt."

Review: Please Clap // 00Productions

'Overall, I very much enjoyed Please Clap. Experimental, and at the same time digging into the solemn secrets of celebrity and humanity, the fakery of the media and the forgery of façades, this was a show to be applauded.'

Review: Songs of the Silenced // Musketeer Productions

In the maelstrom of reinterpretations of misunderstood Homeric women and Greek tragedy revivals, the show’s lyrics stand out for consistently centring the core themes and questions asked by the ancient texts themselves.

‘To help us survive’: On Stephen Sondheim

'I didn’t know how to articulate this at the time, but watching West Side Story I encountered for the first time a quality I’ve come to look for in great musical theatre: the distillation of complex emotion into song in a rounded yet deceptively simple manner. Here was a prime example of showtunes’ unique ability to bring human feeling to a higher plane.'

‘Truly perceptive’ – Review: The Effect

"[...] it is these painfully truthful human relationships that elevate it from an evocatively written commentary on medical ethics to a truly perceptive piece of art."

Review: 2nd May 1997 // Love Song Productions

2nd May 1997 manages to use a pivotal moment in political history to explore three very different relationships and the difficulties they face. It is performed with grace and humour, using the political events as a mirror that reflects the difficulties of each pair’s situation.

“These are full humans that we have to take in”: An Interview with the Cast of Quartet

I wrote Quartet over a year and a half ago in early 2020, sitting down for an hour every morning to chip away at it as my way of getting through a term in lockdown. Having handed over my script to the trusted hands of Alex Foster (director) and our stunning actors, I was itching to find out how Quartet has developed.

Review: The Last 5 Years // Eglesfield Music Society

As a show with only two characters, the use of four actors in this production was truly innovative. It was able to showcase their talent in the best possible way, highlighting the actors’ strengths while elevating the characters to a level above how they have been traditionally interpreted on stage.

Preview: The Last 5 Years // Eglesfield Music Society

It is a poignant exploration of how couples in failing marriages perpetually struggle to see eye to eye and are so often operating, portrayed quite literally here, on differing temporal planes.

Persephone review: ‘Created with love and dedication’

suspense, tackling intense themes of mental illness, sexual violence, and survival that may be difficult for audiences to process. Though the scenes do not explicitly depict such situations, it is a credit to the performances by the cast and crew that the effect of these moments linger long after you leave the Playhouse. 

The Classics on Stage

When I think of stage classics, productions like Les Miserables, The Lion King, and Wicked come to mind.  These are all shows which hold...

Summer Stage Round-Up

'It is lovely to see theatre reset after so long, but it is inspiring to see it revive and attempt to do better.'

The composition of a narrator: Ralph Fiennes’ performance of T. S. Eliot’s poetic voice

'Our narrator’s tone of voice sways between the revelatory and the didactic, the divine and the desperate, so that our first job is to work out whether we are watching a man or a god.'

Review: V-Card by Alison Hall // Blue Moon Theatre

'The university-set dating satire provides a perfect balance of authenticity, heart and nuanced observations on student sexuality.'

Review: “Smart Casual” // GOYA Theatre

'For a student work the topics discussed are close to home. It’s why the promise of a grounded and tender depiction of undeniably important years works so well. The piece made me feel like that time could be a bit more real, and so a bit more manageable.'

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