Queenie Li produces her version and vision for art, open to all and owned by all
This week, Amber Sidney- Woollett explores the work environment by restructuring dark space, whilst Georgia Heneage uses expressive brush strokes and texture to add...
Sam Dalrymple reports on the phenomenon of truck art that is spreading across Pakistan
Daniel Villar explores how the English countryside has changed since John Constable painted The Cornfield
A vivid depiction of an ancient culture excites at the British Museum
Avery Curran discusses curating Text/ure, Trump, and artistic cataclysm in the US There’s an argument, and it’s a convincing one, that all art is political and, in the interim period between the election and the inauguration it felt truer than ever. There was an atmosphere of displacement and shifting ground. Between daily revelations about suspicious calls to Russia and plans to defund sanctuary cities (of which New York is one), no one seemed to know where they stood.
Sarah Meyohas’ new exhibition embraces electronic form in its exploration of beauty, writes Eleanor Birdsall-Smith
Chantal Marauta explores the life of Russian Revolutionary feminist Alexandra Kollontai and her ﬁght for gender equality
Ellie Siora is confronted by the familiar in the foreign while questioning what it means to be ‘exotic’ at John’s exhibition
Joseph Botman makes a case for the importance of the humanities in contemporary society