Conjuring some museum magic

Altair Brandon-Salmon is astounded by the Ashmolean’s Islam exhibition, Power and Protection

Those Who Follow review – “an appreciation of some too often...

Matthew Roberts explores the different faiths of modern Oxford, as presented in the exhibition Those Who Follow

Hokusai: Beyond The Great Wave – a man possessed by the...

Becky Cook is awestruck by Hokusai’s ‘The Great Wave’ but says the artist fails to discover anything beyond the masterpiece at the British Museum’s current exhibition

The Road of Dreams

Travelling was once a life-and-death decision, not just a leisurely impulse

Rhetoric and realism in ‘Raphael: The Drawings’

Anoushka Kavanagh is impressed by the Renaissance master’s gift for story-telling and imaginative flare in the Ashmolean’s new exhibition

The queen of artistic appropriation is crowned at the Tate Modern

Nicola Dwornik reviews a long overdue exhibition of Fahrelnissa Zeid's life and work

My naked truth

Jess Brown contemplates the merits and shortcomings of life drawing

The Death and Rebirth of MS Paint

Chloe Dootson-Graube investigates the artistic importance of Microsoft Paint

The Pitt Rivers must face its dark past

Museum director Dr. Van Broekhoven agrees that a future must be found for the Pitt Rivers' colonial history

Facing walls

Art by Mark de Courcy Ling following Cherwell's portrait photography competition

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An exploration of Anna Burns' The Milkman and its chilling relationship to the violence of the Troubles.

Research by Oxford University reveals scale of Russian intervention in US election

Research by Oxford University’s Computational Propaganda Project and network analysis firm Graphika provides an in-depth analysis into Russia’s disinformation campaign around the 2016 US election.

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The reclassification will see £12bn added to the UK annual deficit