Andrew Graham-Dixon: Bridging the gap between high culture and mass media

Art history documentary maker Andrew Graham-Dixon talks contemporary art and BBC spending to Altair Brandon-Salmon

Imagining the Divine review – engrossing and important

Lizzy Diggins is intrigued by the religious crossovers at the Ashmolean's new exhibition

A perfectly preserved corner of London speaks to modern Britain

Susie Finlay discovers the delights of still-life drama

A film that celebrates an artistic history too long hidden,...

Gazelle Mba discusses a groundbreaking feminist film and the politicisation of artistic identity

How traditional craftsmanship meets modern aesthetics on Pakistani trucks

Sam Dalrymple reports on the phenomenon of truck art that is spreading across Pakistan

‘Beautiful is good’ – Giovanna Bertazzonia on Christie’s

Altair Brandon-Salmon dives into the world of art auctions with Giovanna Bertazzonia, co-chair of Modern Art at Christie’s

Political cartoons must now be held to a new standard in...

Viveka Herzum challenges the role political cartoons play in our current climate

Basquiat brought to life at the Barbican

Excessive detail hinders an energetic and ground-breaking Basquiat exhibition, writes Eleanor Birdsall-Smith

Opera: Passion, power and politics

The new exhibition at the V&A entertains yet bemuses Julia Alsop

The queen of artistic appropriation is crowned at the Tate Modern

Nicola Dwornik reviews a long overdue exhibition of Fahrelnissa Zeid's life and work

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Autumn by Ali Smith: a seasonal portrait of post-Brexit Britain

The first book in Smith's ongoing quartet reminds us that sympathy is possible in our polarised times

‘Widows’ is a celebration of female grit and resolve

Viola Davis leads a group of kick-ass women in a heist film with a lot on its mind

England’s stubborn faith in Keaton Jennings reaps its reward

The ECB must explore ways to promote the lost art of Test batsmanship at a grassroots level

Salome Review – ‘struggles to take audience into another world’

Tea Party Productions' 'Salome' shows the play's continuing power to unsettle

How Charlie Chaplin lost his voice

The rise and fall of the filmmaker and his silent medium