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Ellie Duncan is enchanted by the 'azulejos' of Portugal

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Altair Brandon-Salmon explores the Royal Academy's latest exhibition, Matisse in the Studio

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Altair Brandon-Salmon ponders the significance of the Royal Academy's annual Summer Exhibition

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Becky Cook is awestruck by Hokusai’s ‘The Great Wave’ but says the artist fails to discover anything beyond the masterpiece at the British Museum’s current exhibition

Communication and confrontation in Brooklyn’s art community

Avery Curran discusses curating Text/ure, Trump, and artistic cataclysm in the US There’s an argument, and it’s a convincing one, that all art is political and, in the interim period between the election and the inauguration it felt truer than ever. There was an atmosphere of displacement and shifting ground. Between daily revelations about suspicious calls to Russia and plans to defund sanctuary cities (of which New York is one), no one seemed to know where they stood.

Pastel pink speculums, embroidered condoms, and art for reproductive freedom

Anoushka Kavanagh explains why protest art is now more important than ever

Rhetoric and realism in ‘Raphael: The Drawings’

Anoushka Kavanagh is impressed by the Renaissance master’s gift for story-telling and imaginative flare in the Ashmolean’s new exhibition
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Evoking emotion and rejecting repression through art in the Middle East

Joseph Botman makes a case for the importance of the humanities in contemporary society

A new era of repressive state censorship dawns over Russian art

Anoushka Kavanagh dispels the religious disguises of violations on creative and political freedom

A tempestuous tribute to a perplexing artist

Anoushka Kavanagh is confronted by an ouevre permeated by emotional and creative conflict in Giacometti’s retrospective at the Tate Modern

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