A woman weaving herself into history

Hypnotising acidic colours scream out for Anoushka Kavanagh’s attention

Art review: Unreported Worlds

Ellie Siora is confronted by the familiar in the foreign while questioning what it means to be ‘exotic’ at John’s exhibition

A tempestuous tribute to a perplexing artist

Anoushka Kavanagh is confronted by an ouevre permeated by emotional and creative conflict in Giacometti’s retrospective at the Tate Modern

Grappling with graffiti

Jorge López Llorente loses himself in the visual trickery of art and graffiti

Evidence of magic at the British Library

Harry Potter: a History of Magic wonderfully illuminates the inspirations behind a cultural icon, writes Raffaella Sero

“A Mythical Future”: Katya Rogatchevskaia on the Russian Revolution

The British Librarian curator discusses her exhibition Russian Revolution: Hope, Tragedy, Myths

Pastel pink speculums, embroidered condoms, and art for reproductive freedom

Anoushka Kavanagh explains why protest art is now more important than ever

Old&New: The potential of oranges

Sydney Gagliano reflects on the question of modern art’s accessibility

Opera: Passion, power and politics

The new exhibition at the V&A entertains yet bemuses Julia Alsop

Old&New: Pascal Pinaud, Granny’s modern rival

Yet another woolly jumper and a visit to the Maeght Foundation outside Nice push Sophie Jordan to consider the artist’s unexpected inspirations

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