Anoushka Kavanagh is impressed by the Renaissance master’s gift for story-telling and imaginative flare in the Ashmolean’s new exhibition
Art history documentary maker Andrew Graham-Dixon talks contemporary art and BBC spending to Altair Brandon-Salmon
Chloe Dootson-Graube investigates the artistic importance of Microsoft Paint
Hypnotising acidic colours scream out for Anoushka Kavanagh’s attention
Artists separated by time and medium together depict torment and isolation
Jonathan Egid is underwhelmed by parts of this exhibition, but impressed by its final three rooms.