Witch Hunt Review – ‘Dizzily funny writing and disastrous hair’
Horseplay Productions' politically-charged sketch comedy hits comedic targets despite an ambiguous through-line.
Dining al Desko Preview – ‘a tale of high treachery and highlighters’
An acutely observed examination of inane office politics, despair, and social media
Funny Friends Preview – ‘A roundup of all the best student talent in the country’
Funny friends and frenetic feminisms fuse in this upcoming Playhouse performance
The Lonesome West review – ‘a pressure-cooker of rage and almost-erupting violence’
Practically Peter Production give an impressive rendering of Martin McDonagh's dark comedy
Butt Kapinski Review – ‘a masterclass in light-hearted entertainment and audience participation’
Charles Britton is both amazed and horrified by Deanna Fleysher's oddball creation
The fault in our Fawlty
The show is vulgar, insular, and heavy-handed
No Market For Old Men review – ‘an hour of fast-paced sketch comedy’
Krysianna Papadakis finds a lot of nuance in Oxford Revue's latest sketch show
Lysistrata Review – ‘some over-directing vitiates a few performances’
Katie Sayer's anticipation of Oriel Classics Society's interpretation of a bizarre Greek comedy turns out to be a tragedy
Death By Murder Review – ‘an endearingly ambitious bunch of clowns’
Oxford's newest improvised comedy troupe impress in their debut show at the Pilch
Travesties Preview – ‘I have never felt so threatened by a teacup’
Isabella Welch sees a lot of promise in a dynamic adaptation of Tom Stoppard's hidden gem
Is Fresh Meat still fresh?
Seven years after its original release, does Fresh Meat still reflect our current university experience?
Shazia Mirza: ‘I don’t think about the audience anymore. I just go ahead and do it.’
Acclaimed comedian Shazia Mirza talks Acorn Antiques, ‘snowflakes’ and teaching with Izzy Troth
I Slept In These Clothes review – ‘comics to look out for’
Fenella Sentance is thoroughly entertained by the dynamic of Verity Babbs and Chloe Jacob's comedy duo
The Crocodile review – ‘a carefully considered yet hilariously nuts production’
Cesca Echlin is left in fits after a performance of Dostoyevsky's short story