A word from the stalls
Miriam Nemmaoui accosts a teary-eyed audience member emerging from the Burton Taylor Studio, after the final showing of STOP
Review: ‘Collaborators’
Tilly Nevin rates this student production as amongst the best she has seen in Oxford
Review: STOP
Amaris Proctor admires this play's refreshingly frank attitude towards mental illness
A product of pointless nostalgia
Natalia Bus argues against the unfulfilling nature of musical reunions
Reviewing Moffat: The Doctor Who Christmas Special
“Doctor Who does superheroes” is a premise which seems obvious. The show’s greatest asset is its ability to jump from one genre to the...
Reviewing Moffat: Sherlock Series Four
This series of Sherlock is particularly varied, playing around with genre far more than usual. The first episode, ‘The Six Thatchers,’ feels at many...
Spotlight: Sal Para
Natalia Bus is captivated by this Oxford artist's authentic debut effort
Single of the week: Arcade Fire’s ‘I Give You Power’
Will Cowie remains unmoved by Arcade Fire's impassive anti-Trump release
Which film best represents your Oxford college?
Oxford colleges are known for their quirks, and inspired by these traits, here’s part two of the Cherwell guide to movies that reflect our...
Margo Price live at the Bullingdon
Emily Beswick is delighted by the raw energy of Price's live show
Four Gorillaz of the Ape-ocalypse
Natalia Bus on the anti-Trump rhetoric of the chilling Gorillaz release
Review: ‘A Monster Calls’
Jonnie Barrow is impressed by Bayona’s adaptation of an underrated children’s novel
The Price is right: Margo’s musings
Emily Beswick discusses gender with the rising country star
Review: The xx—A masterstroke of production
Dom Saad pulls apart the intricacies of The xx’s third album, I See You