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Transforming light into flesh

Netflix's new series of The Crown entrances with nuanced links between love and photography

TV gets real as Easy returns for a second season

Anna Myrmus examines how creator Joe Swanberg takes this Netflix show to even more unexpected places in season two

Nihilism, narcissism and noobnoob as ‘Rick and Morty’ returns

Despite the criticism, Olivia Webster is impressed with season three of Rick and Morty

Choose wisely, it’s in your hands

Alice Robinson explores the phenomena of multiple endings

A sequel packed with character and heart

"Director James Gunn has crafted one of the funniest and most genuinely moving Marvel films I can remember." Calum Bradshaw has his doubts hushed by Guardians of the Galaxy Vol.2

How the ensemble superhero film became king

"4 May 2012 was a day that changed the landscape of cinema. Joss Whedon’s 'Avengers Assemble,' the climax of the first phase of the Marvel Cinematic Universe, was an epoch-making, trend-setting, earth-shattering event, the apotheosis of Marvel’s shared universe project." Christopher Goring examines Marvel's winning formula

The shifting landscape of television news

Theo Davies-Lewis responds to a new study on how the digital revolution is changing broadcast news

Is television too small for the both of them?

Theo Davies-Lewis pits the BBC against streaming services

A limp, lifeless insult to every single viewer

Christopher Goring is reduced to a gibbering mess by "Sandy Wexler"
OA TV show logo

Fresh ideas abound in new Netflix original ‘The OA’

Priya Khaira-Hanks is intrigued by this enigmatic new sci-fi series
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