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Oxford art students discover making bad portraits isn't as easy as it looks.
The LMH principal only managed to raise £80 of the £6500 it sold for at auction today
Daniel Villar explores how the English countryside has changed since John Constable painted The Cornfield
Looking back at his exhibition 'We will meet', Alvin Ong tells Sophie Jordan of his walks along the thin line between memory and fiction
Ewan Davis finds Doug Eaton’s unlikely colour palettes faithful to the landscape of the Forest of Dean
Ewan Davis explores the depiction of the Nativity in 16th, 17th and 19th century art