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"It is Bridgit’s shaky, close-up quality that makes the work – it’s relatable and reachable."
Ilya and Emilia Kabakov's 'Not Everyone Will Be Taken into the Future' illustrates the horrors of the Soviet Union through a series of juxtaposing perceptions
Anoushka Kavanagh explains why protest art is now more important than ever
Looking back at his exhibition 'We will meet', Alvin Ong tells Sophie Jordan of his walks along the thin line between memory and fiction
Bill Freeman investigates his artist godmother’s inspirations and her relation to the process of creation
Travelling was once a life-and-death decision, not just a leisurely impulse