Altair Brandon-Salmon

Brideshead, revisited: Oxford then and now

Altair Brandon-Salmon compares Charles Ryder’s day with our own

Review: ‘Inspiring Impressionism: Daubigny, Monet, Van Gogh’; Scottish National Gallery

Altair Brandon-Salmon is left mildly underwhelmed by the Scottish National Gallery's Impressionist exhibition

Review: Miles Ahead – this is no hagiography

Miles Ahead successfully connects the deeply flawed private man with his public persona, the greatest jazz musician of the twentieth century, writes Altair Brandon-Salmon

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