Interview: Conor O’Brien

Cherwell chats with the front man of Villagers about his debut album, touring with Elbow, and new material in the works.

Review: Pygmalion – The Magdalen Garden Show

Rosalind Stone finds that elaborate characterisation is all the sugar-coating an audience needs

Is this the future, the present or the past of The...

Graham Mazeine contextualises and gives his first impressions of The Strokes’ new EP

Interview: Debut Novelist Lauren Johnson

Lauren Johnson tells Cherwell Arts and Books about her first novel, The Arrow of Sherwood.

Villians Review – ‘Pop songs with rock sensibilities’

Queens of the Stone Age don't quite live up to their high standard, writes Rowan Janjauh

Encapsulating 2016: an interview with the founder of Light Work

"We know we’re not going to change the world or anything with a t-shirt. But it is all about spreading ideas and reflecting on things that are happening around us."

What to expect on a student film set

A student set is an exciting and inspiring place to be

The awards season hits oxford

A look at the upcoming Oxford Film Festival and the "Ox-scars"

Review: Downton Abbey – Series 3

Lizzie Greene is still enjoying the nation's most loved and least plausible period drama

Review: Richard Parker

Emily Holman reviews Poor Players Productions' dark and hilarious new show

Popular

Matriculation: Everything you need to know

From sub fusc to punting - matriculation should be a day to remember

Oxford scholar questions £335m painting’s Da Vinci attribution

Wolfson fellow Matthew Landrus says only 5-20% of the 'Salvator Mundi' is Da Vinci's work, after a recording breaking sale at Christie’s auction house

Letter To: My Oxford friends

Deep into the long vac, Annie reflects on her first year friendships

McQueen Review – “an example of masterful documentary film-making”

Ian Bonhôte's creation celebrates McQueen’s legacy as a skilled artist and visionary

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