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‘Glitz, glamour, pizzazz’: In conversation with The Great Gatsby

This weekend, I sat down with Mina Moniri and Peter Todd, the co-writing/co-directing duo of a brand-spanking new adaptation of F. Scott Fitzgerald’s The Great Gatsby.

Review: The Safe Keep by Yael Van der Wouden

In not necessarily liking Isabel, we are free to understand her, even if this understanding does boil down to something rather simple.

Ticketmaster hurts student concert culture

Competitive, difficult, and opaque. All words associated with the Oxbridge admissions process. More recently, however, they have been used by disappointed Oasis and Coldplay fans in relation to Ticketmaster.

Celebrating two centuries of the National Gallery

Flo Wolter reflects on the impact and legacy of the iconic institution, now in its 200th year.

‘warþ gasric grorn, þær he on greut giswom’ [Fish sad when washed to shore] – The Franks Casket

hronæsbansorrowful, weeping tears of salttaken, hunted, harpoonedfrom my blue lagooncrafted by you into this...

‘Glitz, glamour, pizzazz’: In conversation with The Great Gatsby

This weekend, I sat down with Mina Moniri and Peter Todd, the co-writing/co-directing duo of a brand-spanking new adaptation of F. Scott Fitzgerald’s The Great Gatsby.

Review: The Safe Keep by Yael Van der Wouden

In not necessarily liking Isabel, we are free to understand her, even if this understanding does boil down to something rather simple.

Ticketmaster hurts student concert culture

Competitive, difficult, and opaque. All words associated with the Oxbridge admissions process. More recently, however, they have been used by disappointed Oasis and Coldplay fans in relation to Ticketmaster.

Celebrating two centuries of the National Gallery

Flo Wolter reflects on the impact and legacy of the iconic institution, now in its 200th year.

‘warþ gasric grorn, þær he on greut giswom’ [Fish sad when washed to shore] – The Franks Casket

hronæsbansorrowful, weeping tears of salttaken, hunted, harpoonedfrom my blue lagooncrafted by you into this box. hronæsbancarve me, recalcitrant though I ammay my banhus tell both...

Review: Joker: Folie à Deux

Joker: Folie a Deux is ultimately too disjointed and unnecessary to win Oscars or make headlines.

The Graduate took on generational divides

From its start, The Graduate shows its audience that Ben is alienated from the older generations. At the party his parents throw to celebrate...

Dame Maggie Smith’s Oxford beginnings, from Mansfield to McGonagall

Now nearly a month since the news of the actress’ death, aged 89, we can reflect on Smith’s extraordinary career and her connections to the city that started it all. 

Books you can’t sink your teeth into: A brief look into unsolvable manuscripts

If there’s one thing that most people appreciate, it’s a good mystery with a clever solution. It is no accident that Agatha Christie is...

Review: Will Heaven Fall on Us? A Béla Tarr Retrospective

Will Heaven Fall on Us? A Béla Tarr Retrospective, which aired in cinemas this summer, confirms the status of the Hungarian director as an...

Has the romantic comedy lost its charm?

The romantic comedy genre is often criticised for its overreliance on tropes. The romcom is, after all by, designed to be light and fun....

Palimpsest

This is a secular city, built on holy bones. We’re on the edge of another fissure. Nothing so grand as a revolution. But the grey...

2024 was for the girls: The rapid success of female artists

The last nine months of pop can perhaps be summed up in one word: ‘Femininomenon’. The title of Chappell Roan’s 2023 hit, a portmanteau...

Oxford’s Alternotives take the Fringe

This August, the Oxford Alternotives joined the ranks of Oxford performers heading to the Edinburgh Fringe. For our twelfth Fringe performance, we brought a...

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