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Theatre

“Who am I, and who do I love?”: Neil Bartlett’s adaption of Orlando

Ursula White reviews Neil Bartlett's adaption of Orlando at the Garrick Theatre starring Emma Corrin as Orlando.

Confessions of a Theatre Kid: Debunking The Myth

"This problematic and relentless framing of the theatre kid as marginalised or an 'underdog'... misses the fact that the arts are propped up by privilege."

“A thrilling look into disjunctive relationships”: Fêtid Review

"Morgan’s multi-faceted script offers a combination of dark comedy and depth which keeps the audience consistently intrigued."

“Refreshingly ambiguous” – Review of Wishbone

"Wishbone offers an insightful and tender portrayal of the complicated emotions tied up in a relationship".

‘After Life’: A review

After Life was an understated joy – a brilliant, bittersweet highlight of Week 7.

“Who am I, and who do I love?”: Neil Bartlett’s adaption of Orlando

Ursula White reviews Neil Bartlett's adaption of Orlando at the Garrick Theatre starring Emma Corrin as Orlando.

Confessions of a Theatre Kid: Debunking The Myth

"This problematic and relentless framing of the theatre kid as marginalised or an 'underdog'... misses the fact that the arts are propped up by privilege."

“A thrilling look into disjunctive relationships”: Fêtid Review

"Morgan’s multi-faceted script offers a combination of dark comedy and depth which keeps the audience consistently intrigued."

“Refreshingly ambiguous” – Review of Wishbone

"Wishbone offers an insightful and tender portrayal of the complicated emotions tied up in a relationship".

‘After Life’: A review

After Life was an understated joy – a brilliant, bittersweet highlight of Week 7.

“In here, it’s just pretending…”: ‘Posh’ and the brilliance of impersonation.

At the end of it all, the audience are left in the wake of their destruction, while tellingly, most of the boys have left the scene, unscathed. 

A Night Under the Stars: Reviewing Enclosure

The programme for Mostly Moss Productions' Enclosure reads: “In this time of crisis hold each other closer. In community with each other, and with...

Delightful, witty and well-rendered: ‘Blithe Spirit’ in review

In something of a swan song for Oxford’s A2 Productions, on the 9-12th November, they took to the Keble O’Reilly Theatre for their production of...

The Duchess of Malfi: A Review

"Evocative performances, convoluted script, limited visual resources"

Narcissus : a review

"It is perhaps unsuprising that a play names after a boy who falls in love with himself should be as self-indulgent as ...Narcissus is."

‘Women You Know’: Review

"I laughed, I tried but failed to cry, and had an overall nice time spending my Wednesday evening listening to these two women."

‘Blithe Spirit’: In conversation with A-squared Productions

'Blithe Spirit', running at the Keble O’Reilly theatre from the 9th – 12th November will be A2 productions final Oxford show after successes such...

‘Maurice’ : A review

"It is the perfect choice for the start of term with the potential for all of us to find a piece of ourselves"

Scenes With Girls : A Review

"The play as a whole was beautiful to watch. It is funny, relatable and well-delivered."

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