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Preview: Anything Goes

The American accents are patchy,  the singing is occasionally downright excruciating, and there’s an extended sequence that is almost certainly racist. This is not a perfect production.

That said, it’s probably the most fun you’re likely to have in Oxford this weekend (without going to Camera, or taking off all your clothes). If you’re the kind of humourless git who sees men in sailor suits wiggling their hips as ‘a bit out of the box’, this is unlikely to be your cup of tea. However, if you’re even remotely open to being won over by a charming (if somewhat shambolic) rendition of a highly implausible 1930s-themed musical, then prepare to be impressed.  And it’s set on a boat!

T
he American accents are 
patchy,  the singing is occasionally downright excruciating, 
and there’s an extended sequence 
that is almost certainly racist. This is 
not a perfect production. That said, 
it’s probably the most fun you’re 
likely to have in Oxford this weekend 
(without going to Camera, 
or taking off all 
your clothes). If 
you’re the kind 
of humourless 
git who sees men 
in sailor suits wiggling their hips 
as ‘a bit 
out of the box’, this is unlikely to be 
your cup of tea. However, if you’re 
even remotely open to being won 
over by a charming (if somewhat 
shambolic) rendition of a highly 
implausible 1930s-themed musical, 
then prepare to be impressed.  
And it’s set on a boat!
Staggering as this may appear to the 
uninitiated, Oxford theatre types 
have a slight tendency to take themselves rather seriously: the Pembroke musical ‘gang’ have unusually 
high levels of self-awareness, lending 
itself well to a production 
that is consciously ridiculous, almost outrageously camp, 
and one of 
the most fun 
t h i n g s 
I ’ v e 
seen in absolutely ages. 
Anything Goes would not work 
half as well were it not for the fact 
that the cast are, on balance, really 
rather good. Special mention is necessary for Elizabeth Biddle’s powerful set of lungs, impressive synchronisation from the sailors, and Nick 
Hilton, who makes a wonderfully 
convincing inebriate. Everyone is to 
be commended for giving this their 
absolute all. They sing, they dance, 
they act – it’s a riot. Choreography is 
strong, singing has gusto where it 
lacks natural talent, the captain is 
good-looking – there’s almost nothing not to like. Go, definitely. 

Staggering as this may appear to the uninitiated, Oxford theatre types have a slight tendency to take themselves rather seriously: the Pembroke musical ‘gang’ have unusually high levels of self-awareness, lending itself well to a production that is consciously ridiculous, almost outrageously camp, and one of the most fun things I’ve seen in absolutely ages.

Anything Goes would not work half as well were it not for the fact that the cast are, on balance, really rather good. Special mention is necessary for Elizabeth Biddle’s powerful set of lungs, impressive synchronisation from the sailors, and Nick Hilton, who makes a wonderfully convincing inebriate.

Everyone is to be commended for giving this their absolute all. They sing, they dance, they act – it’s a riot. Choreography is strong, singing has gusto where it lacks natural talent, the captain is good-looking – there’s almost nothing not to like. Go, definitely. 

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