A new-born baby is lying naked on the ground in the crisp September air. Some stride nonchalantly past her, while others stop and instinctively stroke her smooth body, as though trying to shield her from the elements.
The Shakespeare’s Rose Theatre wants its audience to experience Shakespeare as intended – in the bard’s self-designed theatre. But is this immersive theatre experience more pop-art than pop-up? Arabella Vickers reviews.
Olafur Eliasson’s “In real life”, which is on until 5th
January 2020, is a truly must-see exhibition at the Tate Modern. All forty of
this Danish-Islandic...
