Keziah McCann, Author at Cherwell

Review: Beetlejuice, Beetlejuice

Burton’s famous gift for mixing the dark and eerie with the fun and satirical shines through once again.

The Tradwife phenomenon: homesick for subservience

If you’ve been on TikTok at all recently (or Instagram Reels, if you’re that way inclined), you will have noticed a vast array of...

The rise of genre fluidity: Is this the death of genre as we know it?

My favourite genre of music: a question I’ve found becoming increasingly difficult to answer over the years, and it’s only now that I’m discovering...

Forget Her Not: Rediscovering Women in Music- Week 1

At fifteen, I was fully and completely obsessed with the Californian soul/alternative R&B/jazz/funk band The Internet. It is for this reason that I can...

Forget her not: Rediscovering women in music: Week 0

"Stumbling upon Fiona Apple’s 1999 album When The Pawn… actually inspired the concept of this column."

Loyle Carner: A new poignant, personal, and political voice of rap

Loyle Carner’s 2022 album Hugo openly grapples with his heritage and identity, his performances openly discuss climate change and racism, and he even samples...

Falling at the first hurdle: this Barbie is a radical feminist

“Yeah, I liked it, I just wasn’t expecting it to be so political” declared my (female) friend as we discussed Greta Gerwig’s record-breaking comedy....

Review: Beetlejuice, Beetlejuice

Oxford Horror Soc, un-earthed

Review: The Other Place – Agony, Antigone, and Annie

The com(m)e(n)t

Keziah McCann

Review: Beetlejuice, Beetlejuice

The Tradwife phenomenon: homesick for subservience

The rise of genre fluidity: Is this the death of genre as we know it?

Forget Her Not: Rediscovering Women in Music- Week 1

Forget her not: Rediscovering women in music: Week 0

Loyle Carner: A new poignant, personal, and political voice of rap

Falling at the first hurdle: this Barbie is a radical feminist

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