"The persona that Max cultivates in these three videos is so overdone that it could be a cynical deconstruction of the ‘crazy’ stereotype, rather than a reinforcement of it. However, could the effect ultimately just be a reproduction of old misogynist tropes, changing nothing and possibly even fuelling the faithful old fire of patriarchy?"
Long time, no see! Sophia Loren, Italian star of ‘60s classics such as 1963's Yesterday, Today and Tomorrow and 1964's Marriage Italian Style, commands...
