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UrbanObserver
Monday, March 3, 2025
Oxford's oldest independent student newspaper, est. 1920
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Sam Joyce
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Awards don’t matter
Sam Joyce argues that movie awards are much ado about nothing
Review: Interstellar
Sam Joyce finds Christopher Nolan's latest film ambitious, if unfulfilling
Review: Azealia Banks – Broke With Expensive Taste
Sam Joyce is pleasantly surprised by Azealia Banks' debut album
Review: Serena
This confused and tactless drama left Sam Joyce disconnected from any sense of emotional involvement
The return to Twin Peaks
Sam Joyce is less than convinced that Twin Peaks' return is such a good thing
Review: Ida
Ida is a beautifully-crafted contemplation of identity in post-war Poland
Review: Night Moves
Kelly Reichardt's ecopolitical thriller fails to live up to the promise of its premise
Review: Two Days, One Night
Marion Cotillard shines as the star of this socially conscious tale of the realities of the current employment system
Review: The Rover
A revelatory Robert Pattinson transforms this post-apocalyptic thriller into a nuanced and engaging character drama
Is Kickstarter’s time up?
Sam Joyce looks at whether Kickstarter is still a filmmaker's financial saviour.
Review: Hide Your Smiling Faces
This tale of childhood and mortality tugs at the heart strings to hauntingly poetic effect
Review: Grand Central
Rebecca Zlotowski's film about forbidden love treads beyond just illicit romance and tackles identity, appearance and loyalty
Review: Dawn of the Planet of the Apes
Though the simian performances ultimately carry the title, Planet of the Apes is ironically let down by its lacklustre and comparatively bland human characters
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