Sophie Magalhaes
‘Understanding and appreciating those of other cultures is the number one tool we have to respect’: In conversation with travel influencer and entrepreneur, Kacie...
"Kacie Rose is passionate about taking on challenges and taking yourself outside your comfort zone"
Oxford turns to public to collect artefacts for new digital World War II archive
Their Finest Hour, a University of Oxford project launched in July 2022, has received funding from the National Lottery Heritage and will be made...
‘We must viscerally disrupt our comfort zones to create opportunities for evolution’: In conversation with Philippa White, Founder and CEO of TIE
"We must disrupt comfortable ways of living if we are to see the world differently."
Straight-Laced and Spirited: Do Oxford Students Really Have Less Fun?
"There is no single Oxford experience."
Open Minds, Open Conversations: An Interview with the LOAF Podcast
I knew vaguely of the podcast run by four of my fellow Christ Church students before interviewing them for Cherwell. It takes hard work...
RadGlam: The Vogue of Oxford Libraries
It’s a sunny Monday morning. You’ve woken up early enough to shower, get dressed, and head to the RadCam to tackle the mountain of...
Surrealist Film Review: Fellini’s 8½
"It is where Fellini blurs the lines between fantasy and reality that he has produced an authentic filter of a man’s consciousness."
“Inclusive and psychologically profound” – Review: Dracula
Sophie Magalhaes reviews Leah O'Grady's 'queer Dracula' at Michael Pilch Studio.
“To this I put my name”- Review: Casterbridge
If Thomas Hardy had blessed his female characters with more than an “ephemeral precious essence of youth,” perhaps he would have produced something along the lines of Dorothy McDowell’s Casterbridge, an adaptation of Hardy’s 1886 novel The Mayor of Casterbridge.
