Art
Leonardo da Vinci and his devilish… boyfriend?
When we think of Leonardo da Vinci, the first things that come to mind are usually the Mona Lisa, The Last Supper, or his myriad inventions and anatomical sketches....
The artist and the photographer: An analysis of Francis Goodman’s Film negatives
An unusual dynamic is consequently captured between the photographer and artist in the photograph of Lucian Freud.
A Future in the Light of Darkness review: Imagined engines of desire
Modern Art Oxford’s exhibit Frieda Toranzo Jaeger: A future in the light of darkness...
Freida Toranzo Jaeger’s Prophetic Glitter
Freida Toranzo Jaeger names her paintings like items in a manifesto: Extinction is the...
Artificial insights: Decoding diversity and redefining art history with AI
In the age of AI-enhanced art, the possibilities for creativity and cultural exchange are limitless—and inclusive.
Leonardo da Vinci and his devilish… boyfriend?
When we think of Leonardo da Vinci, the first things that come to mind are usually the Mona Lisa, The Last Supper, or his...
The artist and the photographer: An analysis of Francis Goodman’s Film negatives
An unusual dynamic is consequently captured between the photographer and artist in the photograph of Lucian Freud.
A Future in the Light of Darkness review: Imagined engines of desire
Modern Art Oxford’s exhibit Frieda Toranzo Jaeger: A future in the light of darkness counters the potential for automated vehicles and social media algorithms to...
Freida Toranzo Jaeger’s Prophetic Glitter
Freida Toranzo Jaeger names her paintings like items in a manifesto: Extinction is the price we pay for our existence (2023), Open your heart...
Artificial insights: Decoding diversity and redefining art history with AI
In the age of AI-enhanced art, the possibilities for creativity and cultural exchange are limitless—and inclusive.
The Christ Church Picture Gallery review
The Christ Church Picture Gallery has free entry for Oxford students. It offers a chance to view one of the most impressive college art collections, with pieces spanning the 14th to 18th centuries
Frank Auerbach’s Charcoal Portraits review: Self-Portrait of a Stranger
The Griffin Catalyst Exhibition, The Charcoal Heads, shows the early career of Frank Auerbach and the creation of his portraits in the 1950s and...
Remembering Oxford: Memorialising “The City of Dreaming Spires”
"As I exit the library, it strikes me that in its memorials of people long deceased and its unchanging historical landscape, Oxford seems often at a standstill."
