Culture

Hidden Gems: ‘The Storytellers’ at Worcester College

From the first moments, The Storytellers feels unusually thoughtful, generous, and alive.

Art Willow Jopp -

Toni Servillo shines in thoughtful assisted dying drama: ‘La Grazia’ in review

Does Big Tobacco sponsor Paolo Sorrentino’s films? Almost certainly not, but their money would be worse spent elsewhere.

Culture Finlo Cowley -

Galliano for the masses (on the Zara sale rack)

The fashion world is mourning the loss of John Galliano. Not a literal death, but something closer to a fall from grace.

Culture Victoria Corfield -

‘Oleanna’: An imperfect but gripping watch

Boulevard Productions’ Oleanna leaves something to be desired, but what it lacks in production value it more than compensates for in audacity; so much so that David Mamet would be proud

Culture Ian Coates -

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Internet Babies: Students of Subculture

There’s a certain kind of artist that I keep coming back to lately: artists who seem to know exactly what I want to hear...

May Morning

Smudged mascara and the curling of coffee steam. Small yawns and the shuffling of boots. Tangled hair plaited by the same girl from first-year,...

Sunday

That Sunday could arrive first-class, Wrapped in tissue and stickers with minimalist logo. Sent anonymously (from a fan?). It will be a crisp, sunblushed Sunday. The first in...

Hail Agnes full of grace: ‘Hamnet’ and the perfect mother figure

Buckley swept this year’s award season for her performance as Agnes in Hamnet, Chloé Zhao’s adaptation of the Maggie O’Farrell book of the same name.

Stubborn, devout, doomed: ‘The Anti-gone’ reviewed

When The Anti-gone begins, the only thing onstage is a lectern – stark in the harsh white light and terribly lonely – before Ismene (Kitty Brown) walks uncertainly down the aisle and stares, torn and lost, into the audience.

Something wicked this way comes: ‘Macbeth’ previewed

Arriving at Somerville College in its full summer pomp, Stanley Toyne and Cameron Spruce, the codirectors of Cross Keys Productions’ Macbeth, walked over with...

G for Georgian? LGBTQ+ representation in historical fiction

It is undeniable that LGBTQ+ representation in the media has become more positive in recent years.

‘Technologies of capture’: Ben Lerner’s ‘Transcription’ Reviewed

The book opens with the unnamed narrator travelling to interview his academic mentor and 90-year-old intellectual superstar, Thomas, for a magazine.

Oxford, and the ongoing appeal of the literary canon

I remember my tutor asking us if we thought our literature options were broad enough at the end of an Italian tutorial last term.

Peacocks

Their grounds abut a large colonial on Staten Island: Five or six of them Swaggering along verdant lawns, Brick walkways, man-made ponds – Such bravado. What pretty boys! Pets...

All in a day’s Work.txt: Metatheatre’s extremes

I first heard about Work.txt when I was asked by a friend (or coworker?) if I was free Saturday night. And this was a gilt-edged proposition I just couldn’t turn down.

What I learned from Tracey Emin about regeneration

CW: Abortion I left the Tate Modern’s latest headline show, Tracey Emin: A Second Life, feeling unmoved by the artworks. I found the paintings somewhat...

In sickness, health, and wrongdoing: ‘The Drama’ in review

CW: Gun violence. “What’s the worst thing you’ve ever done?” is the driving question of Kristoffer Borgli’s The Drama. The film centres around a couple...

It’s a bird, it’s a plane, it’s theatre: Defining the ill-defined

It has been 93 years since the first performance of Bertolt Brecht’s The Good Person of Szechwan at Schauspielhaus in Zurich. Many critics cite...

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

Catherine Garner, known as Slayyyter, has been chasing fame for almost ten years now. She started out making ‘lo-fi pop’ from her bedroom closet, before bursting onto the music scene in 2019 with a string of electro-pop tracks

Set to bloom: The return of the floral print

“Florals? For spring? Groundbreaking.” So speaks the withering sarcasm of Miranda Priestly in The Devil Wears Prada, condemning all flowery fabrics to uncoolness even...

Why you should spring clean your bookshelf this Trinity

In the name of spring cleaning, I sat down and decided to sort my books, promising to keep only those that brought memories of a happy reading experience to mind.

Does ‘Euphoria’ no longer speak to our generation?

Should I have been watching Euphoria’s first season as an innocent, bright-eyed 14-year-old? Probably not. At the time, I thought that the chaotic lives...

Bridging Communities: Vocatio:Responsio’s Liverpool Tour

Vocatio:Responsio, meaning Call:Response in Latin, is an early music ensemble founded and directed by the Merseyside-based violinist Samuel Oliver-Sherry, a current third year music...

‘Comedy is very deceptive’: Seán Carey on ‘Operation Mincemeat’

As a history student, you occasionally come across stories so strange they feel almost fictional. Operation Mincemeat is one of them.

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Culture

Hidden Gems: ‘The Storytellers’ at Worcester College

Toni Servillo shines in thoughtful assisted dying drama: ‘La Grazia’ in review

Galliano for the masses (on the Zara sale rack)

‘Oleanna’: An imperfect but gripping watch

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