Books

Why reading for pleasure still matters at Oxford

The idea of students reading for pleasure during term time has sparked much debate. Simply put though, Oxford’s intensive schedule makes it near-impossible. The natural consequence of eight weeks...

The Pasts Contained in Preloved Books at the Oxford Premier Book Fair

Although post-collections celebrations usually involve nights out, followed by long, long lie-ins, I spent...

Review of ‘Intermezzo’: Chess, law, and the philosophy of language in yet another Rooney masterpiece

I thought it perplexing that critics felt Intermezzo similar to other works by writer...

Review: Allegro Pastel by Leif Randt

Tanja Arnheim and Jerome Aimler are Millennials in a long-distance relationship. Tanja is a...

The ‘happily ever after’ we seek only exists in fiction

Reading stories full of delusions allows us to escape from the modern world

The Intricacies of Married Life

Exploring the themes of illict love, friendship and bereavement in Tessa Hadley’s 'Late in the Day'.

Thinking Through The Flesh

A review of Lidia Yuknavitch's new memoir, The Chronology of Water.

The Consolation of ‘Constellations’

A review of Sinéad Gleeson's new memoir.

‘If We Were Villains’: Caught in long shadow of ‘The Secret History’

Does M.L Rio's debut novel prioritise style over substance?

Reflective Awakenings

  The Victorian period was one defined by immense social change - especially in regards to women’s position in society. Throughout the century, increasing debate...

The Magic of Madeline Miller’s ‘Circe’

An exploration of the way Madeline Miller finds beauty in sadness.

Hartnell’s ‘Bodies’: Hugely readable

A review of Medieval Bodies by Jack Hartnell (Wellcome Collection, 2019, 352 pages)

Some New Angles on Perspective

A preview of Thinking 3D (Treasury Room, Weston Library), on from March 21st 2019 until February 9th 2020.

A tapestry of living and dead: Max Porter on his new book, ‘Lanny’

An exploration of Max Porter, in conversation with Ali Shaw, and his new novel, Lanny.

The Epilogue of a Lifetime

Julian Barnes’ third of three essays 'The Loss of Depth’ is an epilogue in form and in subject-matter, trapping the pulse of his wife’s memory in his intimate and moving portrait of grief.

Othering Ourselves

Hazy memories and complicit passivity allow Ishiguro’s characters to construct a protective outsider status

Would you risk your life on God? Reflections on Professor John Lennox’s ‘Can Science Explain Everything?’

Prompted by Professor John Lennox's new book, Jack Sagar grapples with questions about science, God, and the faith that binds us all together.

Urban Decay

Exploring the metropolis in 1890s Decadent literature and its origins in Baudelaire and Huysman

Reality check: the power of relatable crises

"Conflicts in literature don’t work when they fail to resonate". Regardless of genre, books are most impactful when their crises are rooted in everyday human experience.

The Crisis of Creon

'Peripeteia', reversal of fortune, for Sophocles' Creon in 'Antigone' is a wincingly fatal consequence of his tragic decision.

Satiating Sá-Carneiro

Exploring the life and work of an acclaimed Portuguese writer, at the heart of which lies the desire to discover.

Resisting bodily urges: extreme asceticism in medieval female saints’ lives

The modern-day 'anorexia memoir' has its origin in the genre of medieval saints' lives

Why do we write?

We write for ourselves, for the reader, and for wider society.  And I think that’s probably a good enough reason to write an article for Cherwell.

The anxiety of envy

"Big names dominate the industry, and yet their fiction feels incredibly same-y."