Music

The rise of the pop girlie: Marketing mediocrity or feminism in action?  

“GIRLS INVENTED PUNK ROCK, NOT ENGLAND”: so reads the iconic green T-shirt of Sonic Youth legend Kim Gordon. The slogan stands in defiance of an unfortunate truth in the music industry: femininity and credibility often exist in contention with one another.

World music after ‘world music’

On the face of it, the term ‘world music’ is perhaps one of the...

In conversation with John Kennedy, “one of the most trusted voices in music”

In a media landscape often dominated by gossip, rumours, and sometimes pure hate, it’s undeniably refreshing to listen to John, a man who never lost sight of what really matters.

How an Oxford undergraduate made a name in choral music

When he arrived at Oxford, he expected his future to lie primarily in orchestral music. Instead, it was choral music that transformed his direction.

Review: Hill and Harmer’s A Life in Song – the strange world of Lieder

"poetry told across language through performance and music"

What will the Schwarzman Centre mean for music at Oxford?

"Oxford as a cultural centre on a global scale"

A tale of two venues: Oxford’s musical legacies

Oxford is a city full of firsts – historical, personal, degree class, and musicological. Two of its music venues, separated by about 250 years...

Night School: Oxford’s after-hours curriculum

The first time I saw Nahom and Ethan, it wasn’t on a night out – it was an early morning. I was shuffling through...

Oxford Commas at the Fringe – Interview

The Oxford Commas are a contemporary gender-inclusive a capella group who had their Fringe debut this year. They kindly agreed to talk to Cherwell...

‘Aca-demic Weapons’ at the Fringe: Oxford Commas Review

★★★★☆ A capella groups from Oxford have long been favourites at the Edinburgh Fringe, with Out of the Blue, Oxford Gargoyles and Oxford Belles often...

St Anne’s goes All-Steinway: A purposeful and bold commitment to music

In a move that lives up to its motto of ‘Consulto et Audacter’ (purposefully and boldly), St Anne’s College has become the first in...

Highway Elegies: Living Bruce Springsteen’s ballads

A tantalising balance of folk, country, soul, and rock ’n’ roll, Bruce Springsteen is a master storyteller. His songs are ballads in the strictest...

Jacob Collier is on scintillating form at Love Supreme

Despite being a seven-time Grammy Award winner, it was only at the 2025 Love Supreme Festival in Glynde that Jacob Collier had his first...

In More, Pulp aren’t just trading on nostalgia – they’re fresh

In a year where many are talking about one Britpop band in particular – cough, cough, Oasis – the often-forgotten band of the same...

Bonding, identities, and connections through music

The feeling is both shared and unique to that moment

The cantatas of Bach with New Chamber Opera

Recently, students from the University of Oxford have blessed the city with several performances of cantatas by the great Johann Sebastian Bach. On Wednesday...

Review: Bush! The Musical – ‘Is our actors singing?’

While the genre of historical musical theatre centred around US politicians may be dominated by Hamilton, Bush! The Musical has earned a place in...

Roots and rhythm: The living legacy of Dot’s Funk Odyssey

"Talent, friendship, and absurd levels of joy"

Metal becomes mainstream: Sleep Token breaks through

Metal is a genre that is certainly out of fashion. Gone are the days of long, flowy Metallica-esque hairstyles, studded gloves, and all too...

Oxide Radio is a breath of fresh, musical air

"This free station is worth a listen"

Review: Oxford Opera Society enters the bullring for Bizet’s ‘Carmen’

If you recall Pixar’s UP, a comedy where an old man balloons with his dog to South America, a funny moment appears in Carl’s...

Your essential guide to the music of May Day

May Day: It’s unique, convivial and quintessentially Oxford. Only once a year does the city come together like it, and when that happens, it’s...

A review of The Crux: Djo turns music into a profession

In his new album, The Crux, Djo, aka Joe Keery, perfectly inhabits and evokes peak 70s McCartney. At the same time, he seamlessly drifts...

Follow us